This is a short review of one of King’s best recent novels, The Institute. The book explores relationships among children with “special talents” held and abused at a secret installation. This is a good-vs-evil story that’s hard to put down.
Brittany Howard is a pure joy to watch perform. Her current tour ends in November and I hope she plans to do festivals next year so I have a chance to see her again live. Until then, there’s an NPR Tiny Desk Concert from this week to hold us over.
I’m working on a longer review of Janis: Her Life and Music, which will be released October 22. But for now it’s enough to say go ahead and pre-order a copy. It’s a well-researched and well-written page turner by Holly George-Warren.
Listen to Janis Joplin before Big Brother & the Holding Company in the 1964 bootleg “Typewriter Tape” recording. Her talent shows as she sings with guitarist Jorma Kaukonen, while his wife types a letter in the background.
It amazes me that there is a subway station in the basement of the Old State House in Boston. It’s not a big building and it’s odd to walk out of the station and see where you are. You can see it here on Google Street View. Here it is the 1906 Old State House with the subway, or East Boston Tunnel, entrance at the back left of the building. And before the subway in the early 1890s, when the basement was occupied by a telegraph office.
The last two decades have seen significant changes in TV — from the quality of production to how it is consumed — resulting in vastly improved entertainment options. In I Like to Watch: Arguing My Way Through the TV Revolution critic Emily Nussbaum explores the television ecosystem in an anthology of essays.
Nussbaum, a Pulitzer Prize winning critic for The New Yorker, has great admiration for Buffy the Vampire Slayer, Norman Lear and The Sopranos. Topics that have recurring rolls in her essays. I found myself agreeing with her more than half of the time and questioning some of her conclusions the rest of the time. But that’s understandable, as the best critics challenge our thinking and cause us to question, or at least justify, our own preferences.
I Like to Watch (digital galley, Random House) does read like the loose collection of essays that it is, without a unifying theme. And the collection fails to satisfyingly explore the impact streaming services have had on the quality and quantity of programs available.
If you share her sensibilities you’ll likely find yourself nodding your head in agreement as you read this book. If you don’t, you will still come away having learned something about your own preferences. But the book will help everyone become more critical and informed TV consumers.
Self-driving cars are way in the future: “Several carmakers and technology companies have concluded that making autonomous vehicles is going to be harder, slower and costlier than they thought.”
Gmail spam filters have gotten worse. They used to be so reliable I could simply ignore my spam filter. Now I have so many false positives my spam has to be reviewed every day. Many of the emails sent to the folder don’t have any obvious spam qualities and clicking “not spam” does nothing to keep subsequent emails from the same sender from being marked as spam.
Despite recycling the same monster and general plot, season 3 of Stranger Things is my favorite so far. It may be because of all the 80s movie references.
Elspeth Diederix’s photo exhibitionWhen Red Disappears explores life on the seabed of the coast of the Netherlands at depths where the color red begin to vanish from the visible spectrum. The photos resemble oil paintings.
Designed to imitate the look of park signs carved using a router, the National Park Typeface has a clean, retro look. And it’s free.
I’ve put together a development blog using RapidWeaver plus the Stacks, Foundry and Alloy plugins. The development blog is just a test, but the design will be used as the framework for other projects. With RapidWeaver and its plugins it’s pretty easy to quickly create fresh designs. I basically started with a blank slate and built up what I wanted. The test blog is based on Scripting.com and Svbtle.
I rebuilt the Historic Stock website today using RapidWeaver 8. The site isn’t big enough to warrant a full blown CMS like WordPress or Drupal. But manually coding every time I wanted to make a change was going to be a pain. RapidWeaver allows me to periodically tweek or add content without too much heavy lifting. The learning curve wasn’t too great and can be applied to other projects.
When I bought RapidWeaver it was $24 cheaper to purchase through the Mac App Store, rather than directly from RapidWeaver. So be sure to check. And you will need to purchase two addons to get the full benefit of the program. Both Stacks and Foundry are necessary to give you full design control. But with all of those components in place I should be able to publish any design I’d like without too much hassle.
Unfortunately Amazon no longer provides RSS feeds. This seems to be a new trend and a number of sites, including news organizations, are discontinuing RSS feeds and making it more difficult to track information and get updates across the Internet.
Audible has an option that allows listeners to select and save a 30 second clip like a bookmark. Back in March 2016 there were a number of stories online touting the ability to share those clips on social media. It’s a nice little feature and I would think a good way to help market audiobooks. There is even an Audible video showing how to do it.
But while trying to share an audio clip today I went around in circles looking for the share option. Searching online and Audible’s help files turned up nothing but mentions of the mysterious ability to share. As it turns out, sometime between March 2016 and now that ability quietly slipped away and is no longer available in the app.
I confirmed with an Audible support representative that audio clips are no longer shareable: “I am sorry, currently this feature is not available. You can only save them but cannot share them.” Too bad.
While Google and Facebook have siphoned ad dollars away from all publishers, local news publishers have been the hardest hit. The tech giants suck up 77% of the digital advertising revenue in local markets, compared to 58% on a national level, according to estimates from Borrell Associates and eMarketer.